2025-2026
Cristina Pantoja Hidalgo
This year, we open our new issue with critical essays, and in particular, with
essays which comment on film, an art form which we have devoted as much
time to in our previous issues.
Jose P. Mojica
This essay examines the formal articulation of grief in Joseph Laban’s Cin-
emalaya film, Baconaua,
Paul Alcoseba Castillo
The Filipino filmmaker Lav Diaz has always been open
about the great Russian novelists’ influence on his cinema,
Amanda Juico Dela Cruz
This critique/poetics is an exploration of the concept of the “Thinking
Nude,” a term coined by Julie Lluch
John Paolo Sarce
This essay is an attempt to define the “Sangkap Sanaysay” (Ingredient Essay)
as a type of essay writing about food or
Amado Anthony G. Mendoza III
Translated from the Filipino by Caroline S. Hau
Amado Anthony G. Mendoza III’s Materyales sa Komplisidad (Materials
on Complicity, 2023), the second novel
Ralph Semino Galán translates
four poems by Allan Popa
Love and death—Eros and Thanatos—are two of the most recurring themes in lyric poetry.
shane carreon
In this suite of five poems – “The dark shapes you follow,” “Inside a
story,” “Deep in Serpentine Swell,”
Radney Ranario
The poems are a collection of reflections on the sea and water, where the
poet’s experiences
Jovito Cariño
This is a series of poems that attempt to personalize selected ideas from var-
ious philosophers.
Nonon Villaluz Carandang
An anonymous narrator records fleeting memories of encounters with
Filipino women in Europe. All seem to have found a
Cris Lanzaderas
The story presents a portrayal of a woman’s unwavering faith and resilience,
even in the midst
Augusto Antonio A. Aguila
This nonfiction piece depicts a childhood experience of corporal punish-
ment. Instead
John Toledo
This is a reflection by the author on his journey of self-discovery, triggered by the loss of his bicycle,
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